Category: Entertainment

  • Don Jazzy pushes back as online critics target donation beneficiary

    Don Jazzy pushes back as online critics target donation beneficiary

    According to The Punch, music executive Don Jazzy publicly defended a young woman who became a target of online backlash after receiving his donation to support her charitable initiative.

    Punch reported that critics accused the beneficiary of being greedy or fraudulent, but Don Jazzy argued that her request centred on helping others and that she did not “owe anyone anything” for receiving support privately.

    Social media posts circulating the exchange (including reposts on Instagram) echoed the same theme: Don Jazzy insisted that generosity should not be policed by online envy and that helping people is personal choice.

    The incident has reignited debate about public giving, social-media entitlement, and how philanthropy narratives can be weaponised in Nigeria’s online spaces.

    Analysis/Echotitbits take: This is more than celebrity gossip—it’s a window into how Nigeria’s social media culture can punish both givers and receivers. For public figures, the lesson is to expect backlash regardless of intent; for beneficiaries, transparency helps but won’t silence trolls. Watch for whether the beneficiary follows through on the promised project updates, and whether this shapes how celebrities choose to give going forward (quietly vs publicly).

    Source: The Punch — 13 Dec 2025 (https://punchng.com/don-jazzy-slams-critics-for-dragging-woman-who-received-his-donation/)

  • Funke Akindele and Iyabo Ojo Fly Out Together for UK Premiere of Behind The Scenes

    Funke Akindele and Iyabo Ojo Fly Out Together for UK Premiere of Behind The Scenes

    Photo Credit: Video via Instagram @funkejenifaakindele / @iyaboojofespris (screenshot)

    A light-hearted travel video of Nollywood heavyweights Funke Akindele and Iyabo Ojo has delighted fans as the duo jetted off to the United Kingdom for the international premiere of Funke’s new movie Behind The Scenes.

    The clip, posted on Instagram, shows the actresses laughing, chatting and filming each other as they head to the airport and board their flight. For many fans, the cheerful energy between the two women was just as exciting as the film itself, especially given how often Nollywood friendships and feuds become talking points online.

    Comment sections quickly filled with fans celebrating the support among the actresses and hyping the movie’s UK cinema run. Others joked that the UK was not ready for the duo’s combined “wahala” on premiere night, turning the travel vlog into instant Detty December content.

    Source: Instagram/ Instagram @funkejenifaakindele / @iyaboojofespris, reel highlighting Funke Akindele and Iyabo Ojo’s trip to the UK for the Behind The Scenes premiere.

  • These Nigerian Celebrities Look So Much Like Their Mums, It’s Almost Unreal

    These Nigerian Celebrities Look So Much Like Their Mums, It’s Almost Unreal

    Photo Credit: screenshot @nbgafrica Photos via Instagram celebrity-mum lookalike reel

    A fun new viral post has social media users seeing double after a Nigerian pop-culture page shared side-by-side photos of celebrities and their mothers who look strikingly alike.

    The reel features a mix of movie stars and music talents posing next to their mums at different stages of life. In some cases the resemblance is so strong that fans joked the mothers look like “older twins” of their famous children, with the same facial structure, smile and even signature poses.

    Commenters quickly turned the reel into a mini family appreciation thread, tagging their own parents and sharing throwback photos. Others used the opportunity to salute the “original fine girls and fine boys” behind their favourite celebrities, proving once again that Nigerians will always find a way to mix gist with wholesome content.

    Watch on Instagram: Nigerian celebrities, celebrity mums, family resemblance, viral reel, Instagram

    Source: @nbgafrica/ Instagram reel compilation showcasing Nigerian celebrities and their lookalike mums.

  • Portable Claims He Has Helped More People Than Olamide, Davido And Wizkid

    Portable Claims He Has Helped More People Than Olamide, Davido And Wizkid

    Street-hop star Portable is stirring the waters again after boldly declaring in a fresh interview that he has helped more people than heavyweights Olamide, Davido and Wizkid.

    Speaking on a televised entertainment programme, the controversial singer boasted that his street charity and constant support for the young boys around him beat anything the bigger stars have done. The comments were clipped and shared online, where they quickly exploded into a full debate.

    Many social media users laughed off the claim as classic Portable drama and started listing scholarships, giveaways and life-changing opportunities linked to the three superstars. Others argued that the singer has also put upcoming artistes and crew members in the spotlight and deserved some credit for that.

    As usual, the conversation ended up bigger than the quote itself, touching on visibility, receipts and how to measure who truly does the most for the streets. One thing is certain though: Portable has once again turned a simple chat into prime timeline content.

  • Victor Osimhen’s GQ Türkiye Award Gets The Naija Twitter Celebration Treatment

    Victor Osimhen’s GQ Türkiye Award Gets The Naija Twitter Celebration Treatment

    Nigerian striker Victor Osimhen is trending for all the right reasons after being crowned Sportsman of the Year at the 2025 GQ Türkiye Men of the Year Awards.

    According to entertainment and sports outlets, Osimhen received the honour at a colourful ceremony in Turkey, in recognition of his standout season and contribution to his club’s domestic double.

    As photos and clips from the event filtered onto X and Instagram, Nigerians wasted no time in flooding timelines with congratulatory messages, edited graphics and playful “No be small flex” captions. Some fans joked that Osimhen is now “our own GQ model,” while others used the moment to reignite the long-running “best African striker” debates.

    From memes about his trademark mask to serious conversations about his journey from the streets of Lagos to global stardom, the award has once again reminded fans why Osimhen remains one of Nigeria’s most loved football exports – both on and off the pitch.

  • TikTok Restricts Late-Night LIVE in Nigeria

    TikTok Restricts Late-Night LIVE in Nigeria

    TikTok has restricted late-night LIVE access for Nigerian users as part of a safety investigation tied to harmful-content concerns. The platform has not stated how long the restriction will remain.

    The move reflects rising global and local pressure on social platforms to tighten safeguards around livestream risks.

    Source: Punch, 2025-12-08

  • Awujale: Family orders KWAM 1 to prove lineage

    Awujale: Family orders KWAM 1 to prove lineage

    The Fusengbuwa ruling house of Ijebu-Ode has asked Fuji star Wasiu Ayinde (KWAM 1) to complete a royal lineage data form as part of procedures for the next Awujale of Ijebuland selection. Punch reports that the ruling house chairman stressed that only verified members of the family would be allowed to participate in the process. KWAM 1 had reportedly written to declare interest in the stool, describing himself as a bona fide son of the house and stating that his aspiration aligns with customary law and Ogun State chieftaincy regulations. The development has fueled significant public discussion in Ogun’s cultural and political circles. Source: Punch, December 7, 2025.

  • Art: Between the Snake Goddess and Bust of Nefertiti

    Art: Between the Snake Goddess and Bust of Nefertiti

    Comparing Ancient and Classical Art

    The Snake Goddess art and Bust of Nefertiti are two renowned pieces of art from distinct civilizations that showcase their unique styles, cultural values, and design elements. The Snake Goddess art, crafted around 1600 BCE, is a Minoan sculpture discovered in ancient Crete. It portrays a female figure holding snakes, draped in a long, flowing dress and a headdress. The sculpture’s material is faience, a ceramic material popular in the Bronze Age, and it stands at a height of approximately 12 inches.

    The Mysterious Minoan Snake Goddess. Credit: Erik Törner/Flickr CC BY-NC-SA 2.0

    In contrast, the Bust of Nefertiti is a limestone sculpture from the Amarna period of ancient Egypt, created approximately in 1340 BCE. It portrays the queen Nefertiti, the wife of Pharaoh Akhenaten, wearing a unique crown with a long neck and an exquisite face. The sculpture stands at around 20 inches tall. The Snake Goddess and the Bust of Nefertiti share some similarities and differences.

    Both sculptures depict powerful female figures, but the Snake Goddess is more stylized and abstract, while the Bust of Nefertiti is more realistic and intricate. Although they use a blue and gold color palette, the Snake Goddess’s color scheme is more vibrant and playful, while the Bust of Nefertiti is more restrained and elegant.

    Nefertiti’s bust (c1350s-1340s BCE) on display at the Neues Museum in Berlin in 2012. Photo by Michael Sohn/Reuters

    Each artwork’s design elements reflect its distinctive style and place of origin. The Snake Goddess art incorporates curvilinear shapes, asymmetry, and flowing lines, which are typical of Minoan art. Conversely, the Bust of Nefertiti has a more balanced and symmetrical composition, with meticulous attention to detail and precise proportions, typical of Egyptian art.

    READ ALSO: Police Seizes Nearly 1000 Ilegal Weapons and Ammo

    The cultural values of the civilizations that created them are also evident in the works. The Minoans had a deep reverence for nature and goddesses, as well as a focus on beauty, sensuality, and creativity, which the Snake Goddess art embodies through its expressive style, feminine form, and playful colors. In contrast, the Egyptians valued order, stability, and eternity, as well as their rulers and gods, which the Bust of Nefertiti captures through its idealized portrayal of the queen, elegant style, and precise proportions.

    Today, both works serve as significant cultural artifacts, offering insights into their respective civilizations’ art, culture, and history, and are celebrated for their beauty, craftsmanship, and artistic merit. The Heraklion Archaeological Museum in Crete houses the Snake Goddess art, while the Bust of Nefertiti is on display at the Neues Museum in Berlin, Germany.

    To summarize, the Snake Goddess art and the Bust of Nefertiti are two exceptional artworks that highlight their civilizations’ unique styles, cultural values, and design elements. They continue to captivate and inspire people today, reminding us of the rich artistic legacy of ancient civilizations.

    Classical Periods in Art History

    Middle Ages (400-1300 CE): Visual arts flourished during the Middle Ages, reflecting the period’s aesthetic values. The Catholic Church heavily influenced the art of this period, and the wealthiest members of society commissioned artworks for religious purposes. Gothic architecture, with tall spires, pointed arches, and intricate stone carvings, became popular. Artworks during this period often featured religious themes, emphasizing symbolic representations of religious stories rather than realistic portrayals. The Middle Ages laid the groundwork for the development of art in the following Renaissance era.

    Renaissance (1400-1600 CE): During the Renaissance era, there was a renewed fascination with classical art forms and the human form. Artists in this era aimed to create realistic and lifelike depictions of people and the world around them, popularizing the use of perspective and chiaroscuro to create the illusion of depth through light and shadow. Renaissance artists were interested in exploring the natural world through their art and placed great emphasis on individualism. The Renaissance movement subsequently influenced the Baroque era that followed.

    READ ALSO: Controversial Actor Accuses 2baba of Not Giving Scholarship to Sound Sultan’s Children

    Baroque Era (1600-1750 CE): Grandeur, dramatic lighting, and intense emotions defined the Baroque era. Baroque artists utilized light and shadow to produce dramatic effects and utilized ornate embellishment to convey the grandeur of the period. Artworks of this era were typically large and featured intricate details. The Neoclassical era that followed was influenced by the Baroque era.

    Neoclassical Era (1750-1820 CE): Classical art of ancient Greece and Rome had a profound influence on the Neoclassical era. This period emphasized simplicity, order, and rationality and artists strived to create idealized depictions of the human form. The art of this era often portrayed historical and mythological themes and was marked by clean lines, symmetry, and balance. The Neoclassical period’s impact was evident in the Romanticism era that succeeded it.

    Romanticism Era (1790-1860 CE): The Romanticism era was identified by its emphasis on emotion and imagination. Romantic artists placed importance on individualism, nature, and the supernatural. Natural landscapes were a frequent subject of Romantic art, and it explored themes of love, death, and the sublime. The era was a response to the Neoclassical period’s emphasis on rationality and order, and it had an influence on the art’s development in the 19th century.

  • Controversial Actor Accuses 2baba of Not Giving Scholarship to Sound Sultan’s Children

    Controversial Actor Accuses 2baba of Not Giving Scholarship to Sound Sultan’s Children

    Award winning Afrobeats musician, 2Baba has been accused of not giving scholarships to children of late colleague, Sound Sultan, who died of lung cancer in the United States on July 11, 2021.

    Controversial Nollywood actor Uche Maduagwu made the accusation on Friday moments after the African Queen hit maker published a post on his @official2baba Instagram page, expressing how he misses Sultan – Lanre Fasasi.

    “Miss u madly AGuy, Celebrate u till I join u bro (sic)”, 2baba wrote.

    https://www.instagram.com/p/CoNDL_xOVQI/?utm_source=ig_web_copy_link

    Following this, Maduagwu, who is known for having penchant for attacking celebrities on one of the popular blogs to question why 2baba has not given scholarships to children of the late Motherland crooner.

    “Did you give his Pikin Scholarship? No be just to talk, let us assist his Pikin that is True love (sic)”, controversial Maduagwu wrote.

    However, fans responded to Maduagwu quesationing the grounds of his accussation.

    https://www.instagram.com/p/CoNE__5NS1D/?utm_source=ig_web_copy_link

  • Universal Music Group Moves to Deepen Commitment to Growing African Music 

    Universal Music Group Moves to Deepen Commitment to Growing African Music 

    A world leader in music entertainment, Universal Music Group (UMG), has announced key appointments in order to strengthen its position as the leading music company in Africa

    The latest appointments were essentially designed to underscore UMG’s ongoing commitment to support and grow Africa’s domestic music ecosystems, while also creating new opportunities for African talent to reach new audiences globally.

    UMG’s holistic approach to expanding operations across the continent saw to the opening of new divisions in Nigeria, as well as becoming the first major music company to establish divisions in Kenya, Côte d’Ivoire, Senegal, Cameroon and Morocco to complement UMG’s longstanding operations in South Africa. This presence would continue to grow throughout 2021 and beyond, as UMG continues to further extend the company’s ability to support domestic artists across Africa and globally.

    To help lead this expansion, Sipho Dlamini has been promoted as the Chief Executive Officer, Universal Music South Africa and Sub-Saharan Africa, effective immediately.

    Dlamini would continue to oversee all of UMG’s operations within English-speaking Africa. Since joining UMG in 2016, he has been instrumental in solidifying and growing UMG’s African infrastructure, increasing the visibility of African music around the world and delivering unprecedented artist success in South Africa.

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    During this time, UMG has also led the industry with new initiatives across live music, brand partnerships and the adoption of licensed and legal streaming platforms within Africa.

    Dlamini is a member of UMG’s Task Force for Meaningful Change (TFMC), which was created last year as a driving force for inclusion and social justice within the global music industry and serves as chair for TFMC’s Global Committee.

    In 2019, Dlamini was named in Billboard’s International Music Power list, the first African-based executive to make the list.

    In his new role, Dlamini would continue to work closely with UMG’s EVP, Market Development, Adam Granite, to identify further opportunities for artists signed to Universal Music Africa to reach new audiences around the world, utilising UMG’s unrivalled global network of industry-leading businesses spanning more than 60 countries worldwide.

    Within South Africa, Dlamini has been joined by hugely experienced senior executive Elouise Kelly, who has been appointed Chief Operating Officer, Universal Music South Africa and Sub-Saharan Africa.

    Kelly would be based in Johannesburg and would report to Dlamini. She joins UMG from global advertising and media agency Ogilvy, where she held the position of Managing Director, South Africa.

    With a proven and award-winning background in branding, marketing communication and commercial business strategy, she would play an integral role in the further expansion of Universal Music Africa and its operations and label divisions.

    Prior to working at Ogilvy, Kelly held senior positions at SABC, Top TV, Viacom International Media Networks and M-Net.

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    Also, Chinedu Okeke has been named Managing Director, Universal Music Nigeria and would lead the development and expansion of UMG’s existing operations within Nigeria, including English-speaking markets in West Africa.

    He would be based in Lagos, Nigeria and would report to Dlamini.

    Okeke has established himself over the last decade as a successful business and live-music entrepreneur. He’s the founder of Eclipse Live, a live entertainment company focused on bringing live affordable entertainment to the youth of Africa and Eclipse Brand Agency, working with major clients, artists and commercial partners.

    He’s also the founder and Executive Producer of Nigeria’s legendary Gidi Culture Festival, and a founding Trustee of Echo Music and Arts Foundation, and previously held positions at The Wicklow Group, Canvest Group and AP Moeller Maersk.

    The trio would work closely with French-speaking operations in Côte d’Ivoire, Senegal, Cameroon and markets within the continent, which operate under the leadership of Franck Kacou, Directeur General, Universal Music Africa.

    Reacting to the development, Granite said: “I am thrilled to announce these strategic appointments, as we look to further develop our domestic infrastructure and label rosters within Africa.

    “Most integral to achieving our long-term ambitions is to build a strong leadership team on the ground, with deep foundations in each country to help grow a dynamic ecosystem for all to benefit in the future.

    “Over the past few years, Sipho has shown great leadership, commitment and vision for music in Africa, helping UMG to introduce new talent to audiences around the world and identify opportunities to lead the industry in licensing and supporting new platforms to reach African music fans.

    “Elouise and Chinedu both bring welcome new skills, proven entrepreneurship and important leadership experience that will only serve to bolster UMG’s position as the market-leader across Africa.”

    Dlamini also spoke on the new appointments: “There has never been a more exciting time for African music around the world, as it continues to influence and inspire culture and creativity, whilst reaching a wider audience globally each day through streaming.

    “I am delighted to welcome both Elouise and Chinedu to UMG family, their unique skills and experiences will only help to further establish UMG as a bedrock within the African music community, that will continue to put the interests and opportunities for artists first and help elevate African talent to new levels of success at home and abroad.”

    As part of UMG’s strategy, the company is helping African talent reach new audiences internationally.

    In 2018, UMG became the first major label to licence its catalog to Boomplay, Africa’s largest local streaming platform.

    Last year, UMG released several acclaimed albums by African artists globally, including: Celia from Nigerian Afrobeats star Tiwa Savage (released in partnership with Motown Records U.S.); South African rapper Nasty C’s – Zulu Man With Some Power (in partnership with Def Jam Recordings in the U.S., Island Records U.K. and other Universal labels around the world); Midnight Train from Kenya’s Sauti Sol; and Old Romance, the debut album released from Nigerian singer/producer Tekno, who is signed to Universal Music Nigeria in partnership with Island Records in the U.K. and U.S.

    UMG also agreed a strategic partnership between Nigeria’s Aristokrat Records and Universal Music France and launched Def Jam Africa as a standalone label on the continent, with resources across five countries, dedicated to discovering the best in African hip-hop, Afrobeats and Trap music.

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    Under the new leadership structure, each territory would continue to focus on domestic A&R and talent development with a unique suite of services available to local talent including marketing, promotion, bespoke brand partnerships, recording facilities and live music promotion and booking through UMG’s ULive Africa division.

    In Africa, UMG has led the industry, working hand in hand with both domestic and international platforms and Telco’s to help bring the best in global music to music fans across Africa.

    UMG remains committed to helping bolster the wider local ecosystem, with continued focus on building a fair and prosperous market for all through better understanding and management of copyright and royalty distribution, and through the development of strong partnerships with platforms throughout the region which would be integral to introducing African music to a wider audience in years to come.

    UMG is also working closely in partnership with parent company Vivendi, and several of Vivendi’s divisions, including CanalOlympia, Olympia Production, Vivendi and Canal+ to support and develop the live music industry throughout Africa.

    Idowu Sowunmi