Tag: Mavin Records

  • Rema Sells Out Arena in Japan, Continuing Global Dominance

    Rema Sells Out Arena in Japan, Continuing Global Dominance

    Rema has sold out his first arena show in Tokyo, underlining the growing reach of his “Afrorave” sound across Asia.

    Reports describe a high-tech stage setup and a setlist balancing major hits with experimental moments—an approach that has helped him connect globally without flattening his identity.

    The Sun Nigeria and Rolling Stone have both referenced the milestone as a key marker for African music exports.

    Echotitbits take: By winning in Asia, Rema is diversifying Afrobeats revenue beyond the usual US/UK lanes. If more artists follow, the industry’s touring and licensing economics could become far more resilient and truly global.

    Source: BusinessDay – https://businessday.ng/life-arts/article/remas-heis-world-tour-eyes-350000-attendees-across-global-venues/ (2026-01-30)
    Photo Credit: BusinessDay

  • Rema Set to Headline Major European Festival

    Rema Set to Headline Major European Festival

    In a post shared by @heisrema, the “Calm Down” star announced he will be headlining one of Europe’s largest music festivals this summer. The booking marks another milestone for the artist widely associated with the “Afro-Rave” sound.

    Rema’s international reach has expanded rapidly, with multiple hits translating across regions including Europe, the Middle East, and parts of Asia. A headline slot at a major European festival places him in a top-tier live-performance bracket typically reserved for global pop draws.

    Channels TV reported on the announcement as further evidence of global momentum. Pitchfork also referenced the broader shift, positioning Rema as part of a new wave shaping global pop’s center of gravity.

    Echotitbits take

    Rema is moving beyond “Afrobeats star” into global pop headliner territory. These festival moments are high-leverage for brand partnerships, touring economics, and long-term catalog growth.

    Source: Afromixx— https://afromixx.com/rema-to-headline-untold-dubai-2025-afrobeats-takes-center-stage/   (January 22, 2026)
    Photo Credit: Afromixx

  • Johnny Drille’s school-fees joke sparks relatable ‘kids are expensive’ chatter

    Johnny Drille’s school-fees joke sparks relatable ‘kids are expensive’ chatter

    In a post shared by Johnny Drille, the singer joked that paying a child’s school fees quickly teaches parents that “kids are very expensive,” sparking waves of relatable replies from Nigerians online.

    Many reactions connected the joke to broader pressures—school fees, inflation, and household budgeting—turning a one-liner into a wider lifestyle conversation.

    The moment also underscores how celebrities increasingly build brand warmth through candid, everyday-life storytelling that travels fast.

    • Johnny Drille (X): “I just paid my child’s school fees and I realised kids are very expensive.”
    • Instagram repost (Post): “Kids are expensive…”

    Echotitbits take: These small, human posts open big conversations about parenting economics. Watch for brands (family, finance, education) attempting to ride the relatability wave.

    Source: LindaIkejisBlog — 2026-01-09 — https://lindaikejisblog.com/2026/1/kids-are-expensive-nigerian-singer-johnny-drille-laments-after-paying-his-daughters-school-fees.html

    Source: LindaIkejisBlog 2026-01-09
    Photo Credit: LindaIkejisBlog

  • Di’Ja Announces Birth of Her Fourth Child

    Di’Ja Announces Birth of Her Fourth Child

    In a post shared by @aphrodija on Instagram, Mavin Records alumna Di’Ja has joyfully announced the arrival of her fourth child. The singer, known for her private family life, shared a glimpse of the newborn, sparking a wave of congratulatory messages.

    The announcement comes after the singer had been relatively quiet on the music front, focusing on her family and personal business ventures. Di’Ja has been praised for her ability to balance a successful career with a growing family.

    Colleagues like Tiwa Savage and Don Jazzy were among the first to send well-wishes. While she hasn’t released a full project recently, supporters are hopeful that the new addition will inspire a return to the studio later this year.

    Verification from P.M. News stated: ‘Singer Di’Ja announces the arrival of her fourth child, sharing the good news with her fans.’ Naija News also reported the development, quoting the singer’s post: ‘We are beyond blessed to welcome our newest addition.’

    Echotitbits take: Di’Ja has successfully carved out a niche as the ‘wholesome sweetheart’ of the scene. This birth announcement strengthens her brand, potentially leading to lucrative endorsements in the parenting sector.

    Source: P.M. News – https://pmnewsnigeria.com/2026/01/04/dija-announces-arrival-of-fourth-child/ January 4, 2026
    Photo Credit: P.M. News

  • Don Jazzy pushes back as online critics target donation beneficiary

    Don Jazzy pushes back as online critics target donation beneficiary

    According to The Punch, music executive Don Jazzy publicly defended a young woman who became a target of online backlash after receiving his donation to support her charitable initiative.

    Punch reported that critics accused the beneficiary of being greedy or fraudulent, but Don Jazzy argued that her request centred on helping others and that she did not “owe anyone anything” for receiving support privately.

    Social media posts circulating the exchange (including reposts on Instagram) echoed the same theme: Don Jazzy insisted that generosity should not be policed by online envy and that helping people is personal choice.

    The incident has reignited debate about public giving, social-media entitlement, and how philanthropy narratives can be weaponised in Nigeria’s online spaces.

    Analysis/Echotitbits take: This is more than celebrity gossip—it’s a window into how Nigeria’s social media culture can punish both givers and receivers. For public figures, the lesson is to expect backlash regardless of intent; for beneficiaries, transparency helps but won’t silence trolls. Watch for whether the beneficiary follows through on the promised project updates, and whether this shapes how celebrities choose to give going forward (quietly vs publicly).

    Source: The Punch — 13 Dec 2025 (https://punchng.com/don-jazzy-slams-critics-for-dragging-woman-who-received-his-donation/)

  • Don Jazzy Begs for Mercy as Fan Drops Everlasting Christmas Wish on X

    Don Jazzy Begs for Mercy as Fan Drops Everlasting Christmas Wish on X

    Photo Credit: Photo via Legit.ng / @donjazzy

    Mavin Records boss Michael “Don Jazzy” Ajereh set X (formerly Twitter) buzzing after a loyal fan finally got the Christmas opportunity she had been praying for – and then took it to another level entirely.

    The fan tweeted that her wish was for Don Jazzy to ask what she wanted for Christmas, promising not to be greedy. Amused, the producer quote-tweeted her, warmly thanking her for always engaging with his posts and asking, “What do you want?”

    When the reply came, it turned into what Don Jazzy later called an “everlasting expenses” request. The lady asked him to help clear some outstanding debts before year end and also support the launch of her Mercy Foundation, a charity she hopes will pay weekly dialysis fees for kidney-failure patients, inspired by her late brother’s illness.

    Don Jazzy, stunned but playful, responded that her request was beginning to look like a lifetime financial commitment on someone else’s pocket and joked that she should “pity this boy.” His response triggered a flood of memes and mixed reactions on X – some users accused the lady of being greedy, while others argued that she simply shot her shot and used the moment to chase something bigger than herself. The episode also revived conversation about how generous Nigerian celebrities should be expected to be with fans online.

    Source: /Instagram -Don Jazzy, Legit.ng – report on Don Jazzy and the fan’s “everlasting” Christmas request 

  • Don Jazzy Claims Mavin Spent Up to $5m Pushing Rema’s Calm Down Global

    Don Jazzy Claims Mavin Spent Up to $5m Pushing Rema’s Calm Down Global

    Photo Credit:  Instagram/@blackxcellencee

    Music executive Don Jazzy has lifted the lid – at least partially – on what it allegedly cost to turn Rema’s “Calm Down” into one of Afrobeats’ biggest global records. Speaking on Toolz’s “Bounce” show on YouTube, the Mavin Records boss claimed the label spent roughly $4–5 million promoting the track worldwide.

    He explained that pushing a record to that level involves aggressive promotion across several markets, from radio and playlists to lifestyle content, tours and strategic collaborations. According to Don Jazzy, Mavin’s usual playbook is to dominate one territory at a time before expanding, and “Calm Down” was no different – only this time, the spend was massive to match its global ambitions.

    Clips from the interview, shared on X, quickly went viral. While some industry insiders agreed that global campaigns can easily run into millions of dollars, others questioned the figure, suggesting he might be exaggerating to emphasise how capital-intensive the music business has become. The comment section under reposted clips is filled with sceptics, stans and curious observers arguing over whether that budget could realistically have been recouped from streams, remixes and touring.

    Whatever the true breakdown, one thing is clear: “Calm Down” has more than justified its hype, with its Selena Gomez remix topping charts across Europe and North America and becoming one of the most recognisable Afrobeats crossovers of the decade. Don Jazzy’s revelation has now added a new conversation layer – not just about hits, but about how much money labels are really sinking into making Afrobeats global.

    Source:Instagram/@blackxcellencee, Gistmania – report on Don Jazzy’s claim that Mavin spent $4–5 million promoting Rema’s “Calm Down”.