In a video posted by @kunleafolayan on Instagram, the renowned filmmaker addressed the mixed reactions to his latest project, Anikulapo: The Ghoul Awakens. Afolayan told critics that “those who understand literature” would appreciate the depth of the story.
The sequel has sparked a divide among Nollywood fans, with some praising its visual effects and others criticizing the pacing. Afolayan emphasized that his work is meant to challenge traditional storytelling and preserve Yoruba cultural heritage.
The filmmaker also shared heartwarming clips of his children supporting him during the release week, momentarily shifting the focus from industry critique to his family life. Despite the debate, the series remains one of the most-watched titles on its streaming platform.
Afolayan’s “unbothered” stance reflects his confidence as a pioneer of the “New Nollywood.” By doubling down on his artistic choices, he is signaling that he prioritizes cultural authenticity over mainstream commercial formulas, a move that usually pays off for his brand long-term.
* Legit.ng (Website): “Kunle Afolayan reacts to criticism of Anikulapo… says those who understand literature get it.”
* TheNet.ng (Website): “Kunle Afolayan melts hearts as his kids shower him with love in adorable family video.”
Source: Legit.ng — https://www.legit.ng/entertainment/tv-shows/1696599-kunle-afolayan-faces-heavy-criticism-describing-critics-anikulapo-series-2-unintelligent/ February 13, 2026
Photo Credit: Legit.ng
Tag: Yoruba culture
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Kunle Afolayan Defends “Anikulapo” Sequel Against Critics
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Ogun Traditional Rulers Dismiss Reports of Suspension in Awujale Stool Tussle
The Punch reports that Ogun State Government officials and local government authorities have denied claims that high-ranking traditional chiefs in Ijebu were suspended amid tension around the Awujale stool succession process. The alleged suspension reports circulated widely on Friday, but officials urged the public to disregard what they described as speculative information.
The report noted rising sensitivity in Ijebu-Ode, where some traditional actors and royal family members have protested alleged attempts to impose a candidate. Government representatives emphasized that no official suspension had been issued and appealed for calm to avoid destabilizing the kingdom.
The Nation and Daily Post also reported on the unfolding dispute and official calls for restraint, amid concerns about factional maneuvering.
Echotitbits take: Chieftaincy succession disputes often become proxies for wider political influence contests. Watch for authoritative statements from the palace and formal communication from the Ministry of Local Government and Chieftaincy Affairs to dampen rumor-driven escalation.
Source: The Punch — https://punchng.com/awujale-stool-battle-ogun-halts-process-police-storm-palace/ 2026-01-24Photo Credit: The Punch
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Asake’s O2 Arena Performance Hailed as a ‘Cinematic Masterpiece’
Asake’s O2 Arena Performance Hailed as a ‘Cinematic Masterpiece’
Asake shared pro photos from his sold-out O2 Arena show featuring Lagos-themed set pieces and dancers, drawing praise for cultural ambition and production quality.
Social chatter and cross-platform reposts continued to push the story, with fans and commentators dissecting the visuals, branding, and potential next moves.
Echotitbits take: Asake’s edge is cultural confidence: he exports the full Lagos aesthetic rather than smoothing it down. That authenticity is commercially powerful and positions him for major 2026 festival bookings and premium sponsorship interest.
Source: Legit.ng — https://www.legit.ng/entertainment/music/1550028-asake-live-at-02-arena-tiwa-savage-olamide-fireboy-storm-london-singers-concert-clips-trend/ 2026-01-20
Photo Credit: Legit.ng
2026-01-20
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Sanwo‑Olu unveils Eyo Monument in Onikan as Lagos pushes heritage tourism
Photo Credit: The Punch
2025-12-27 07:04:00As reported by Punch, Governor Babajide Sanwo-Olu commissioned a new Eyo Monument at the John Randle Centre in Onikan, positioning it as a cultural landmark meant to strengthen Lagos’ tourism appeal and heritage branding.
The unveiling comes alongside renewed festival momentum on Lagos Island, with the state signalling that heritage assets can drive visitor traffic, local commerce, and destination marketing.
Officials describe the monument as both educational and economic—showcasing Yoruba history while also functioning as a photo-magnet attraction for residents and tourists.
The move fits Lagos’ broader strategy of converting culture into structured tourism revenue, especially through festivals, museums, and curated public art.
In a post documenting the unveiling, Sanwo‑Olu described the statue as the “tallest Eyo statue ever created,” while Travel and Tour World reported Lagos unveiled a “towering Eyo Monument” to elevate cultural tourism.
Echotitbits take:
Lagos is building a heritage-corridor playbook—art, festivals, traffic control, and media packaging. Watch next for crowd management, year-round programming, safety, and whether tourism monetisation becomes systematic rather than seasonal.Source: The Punch — December 26, 2025 (https://punchng.com/sanwo-olu-unveils-eyo-monument-to-boost-lagos-tourism/)
The Punch December 26, 2025 -
KWAM1’s Awujale Bid Rejected by Ruling House
Photo Credit:Punch Newspapers
The ruling house responsible for producing the next Awujale of Ijebuland has rejected the application of Fuji legend Wasiu Ayinde Marshal, popularly known as KWAM1. The family insisted that traditional rules and lineage requirements must be strictly followed in the selection of the next monarch.
The development has stirred debate across social media and cultural circles, with some fans expressing disappointment and others defending the sanctity of royal‑succession customs. The stool of Awujale, one of Yorubaland’s most influential thrones, remains highly coveted, blending cultural prestige with political influence.
Source: Punch Newspapers – 11 Dec 2025
2025-12-12 10:00:00 Punch Newspapers – 11 Dec 2025 2025-12-11